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Archive for January, 2011

Today’s Quotes:

“A wise man fights to win, but he is twice a fool who has no plan for possible defeat.”

– Louis L’Amour

“To disbelieve is easy; to scoff is simple; to have faith is harder.”

– Louis L’Amour

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 Best Westerns of the 20th Century

The Western Writers of America (WWA) had issued the lists of the Best Westerns twice before; in 1985 and again in 1995, both times with similar results in several areas. However, around the year 2000 the WWA felt it was time to reprise the Best Western Survey.  They brought together a panel of fifty-five individuals from twenty-two states and one Canadian province provided them with their votes for the best work and authors of the 20th century. On the lists were 83 authors, 112 novels, 122 nonfiction books, 86 films, 64 short stories, 41 television series, and 22 television mini-series. All of the lists can be viewed at: www.westernwriters.org/best_westerns.htm.   Listed below are 18 of the Best Western Novels… not in any order of distinction:

All the Pretty Horses by Cormac McCarthy

John Grady Cole, a 16-year-old dispossessed Texan, crosses the Rio Grande into Mexico in 1949, accompanied by his pal Lacey Rawlins. The two precocious horsemen pick up a sidekick–a laughable but deadly marksman named Jimmy Blevins–encounter various adventures on their way south and finally arrive at a paradisiacal hacienda where Cole falls into an ill-fated romance.

Call of the Wild by Jack London

Kidnapped form his safe California home. Thrown into a life-and-death struggle on the frozen Artic wilderness. Half St. Bernard, half shepard, Buck learns many hard lessons as a sled dog: the lesson of the leash, of the cold, of near-starvation and cruelty. And the greatest lesson he learns from his last owner, John Thornton: the power of love and loyalty.Yet always, even at the side of the human he loves, Buck feels the pull in his bones, an urge to answer his wolf ancestors as they howl to him.

Centennial by James A. Michener

A stunning panorama of the West, CENTENNIAL is an enthralling celebration of our country, brimming with the glory and the greatness of the American past that only bestselling author James Michener could bring to stunning life. From the Native Americans, the migrating white men and women, the cowboys, and the foreigners, it is a story of trappers, traders, homesteaders, gold seekers, ranchers, and hunters–all caught up in the dramatic events and violent conflicts that shaped the destiny of our legendary West.

Death Comes for the Archbishop by Willa Cather

Death Comes for the Archbishop traces the friendship and adventures of Bishop Jean Latour and vicar Father Joseph Vaillant as they organize the new Roman Catholic diocese of New Mexico. Latour is patrician, intellectual, introverted; Vaillant, practical, outgoing, sanguine. Friends since their childhood in France, the clerics triumph over corrupt Spanish priests, natural adversity, and the indifference of the Hopi and Navajo to establish their church and build a cathedral in the wilderness. The novel, essentially a study of character, explores Latour’s inner conflicts and his relationship with the land, which through the author’s powerful description becomes an imposing character in its own right.

Hondo by Louis L’Amour

He was a man etched by the desert’s howling winds, a big, broad-shouldered man who knew the ways of the Apache and ways of staying alive. She was a woman raising a young son on her own on a remote Arizona ranch. And between Hondo Lane and Angie Lowe was the warrior Vittoro, whose people were preparing to rise against the white men. Now the pioneer woman, the gunman, and the Apache warrior are caught in a drama of love, war, and honor.

Lonesome Dove by Larry McMurtry

Set in the late nineteenth century, Lonesome Dove is the story of a cattle drive from Texas to Montana — and much more. It is a drive that represents for everybody involved not only a daring, even a foolhardy, adventure, but a part of the American Dream — the attempt to carve out of the last remaining wilderness a new life.

 Monte Walsh by Jack Schaefer

With humor and pathos author Schaefer chronicles the passing of the Old West. In loosely connected episodes he vividly portrays the life and times of working cowboy Walsh, side-kick Chet Rollins, and other memorable characters of the Slash Y. Here are shootings, cattle drives, winter storms, and spring floods; cattle rustling, romancin’ and horse breaking. Man and beast, pushed to the limits of their endurance, survive or perish.

Riders of the Purple Sage by Zane Grey

In the remote border country of South Utah, a man is about to be whipped by the Mormons in order to pressure Jane Withersteen into marrying against her will. The punishment is halted by the arrival of the hero, Lassiter, a gunman in black leather, who routs the persecutors and then gradually recounts his own history of an endless search for a woman abducted long ago by the Mormons. Secrecy, seduction, captivity, and escape: out of these elements Zane Grey built his acclaimed story of the American West.

Riders to Cibola by Norman Zollinger

In this saga beginning in the days of Pancho Villa, Ignacio Ortiz, an orphan and a runaway searching for his past, lives through eras of intense change, including two world wars and the beginning of the modern West. As these turbulent events serve as backdrop to his life, Ignacio’s loyalties will be tested by the passions of his tempestuous employers–the MacAndrews clan.

Sea of Grass by Conrad Richter

Novel by Conrad Richter, published in 1936, presenting in epic scope the conflicts in the settling of the American Southwest. Set in New Mexico in the late 19th century, the novel concerns the often violent clashes between the pioneering ranchers, whose cattle range freely through the vast sea of grass, and the farmers, or “nesters,” who build fences and turn the sod. Against this background is set the triangle of rancher Colonel Jim Brewton, his unstable Eastern wife Lutie, and the ambitious Brice Chamberlain. Richter casts the story in Homeric terms, with the children caught up in the conflicts of their parents.

Shane by Jack Schaefer

A stranger rode out of the heart of the great glowing West, into the small Wyoming valley in the summer of 1889. It was Shane, who appeared on the horizon and became a friend and guardian to the Starrett family at a time when homesteaders and cattle rangers battled for territory and survival. Jack Schaefer’s classic novel illuminates the spirit of the West through the eyes of a young boy and a hero who changes the lives of everyone around him The

Big Sky by A. B. Guthrie, Jr.

A legend before he turns 20, Boone Caudill becomes a powerful White Savage, an untamed life force that only one woman, the beautiful daughter of a Blackfoot chief, would dare to love. It is this magnificent spirit that Guthrie celebrates with his vivid storytelling–the glory of the bigness, the wildness, the freedom and undying dream of the West. 

The Ox-bow Incident by Walter Van Tilburg Clark

Set in 1885, The Ox-Bow Incident is a searing and realistic portrait of frontier life and mob violence in the American West. First published in 1940, it focuses on the lynching of three innocent men and the tragedy that ensues when law and order are abandoned. The result is an emotionally powerful, vivid, and unforgettable re-creation of the Western novel, which Clark transmuted into a universal story about good and evil, individual and community, justice and human nature.

The Rounders 3 by Max Evans

In The Rounders, Dusty meets a roan named Old Fooler, a horse whose hooves should be cloven, he’s so mean-spirited. When Dusty’s not trying to send Old Fooler back to the devil, he is nursing the wounds, both physical and emotional, inflicted by the evil horse. In The Great Wedding, Dusty arranges to marry off his buddy, Wrangler, to a rich woman in Santa Fe, so they can all live happily ever after. High society in the Hi Lo Country will never be the same after a brush with these two rowdy range riders. And in the final, Spur Award-winning Novella The Orange County Cowboys, modern times catch up with Wrangler and Dusty when their boss, Jim Ed Love, plans to sell his ranch, their only home, to a Japanese investor.

 The Shootist by Glendon Swarthout

This is the all-time classic novel chosen by the Western Writers of America as one of the best western novels ever wrttten. It is also the inspiration for John Wayne’s last great starring role–the acclaimed 1976 film, The Shootist.

The Time It Never Rained by Elmer Kelton

To the ranchers and farmers of 1950s Texas, man’s biggest enemy is one he can’t control. With their entire livelihood pegged on the chance of a wet year or a dry year, drought has the ability to crush their whole enterprise, to determine who stands and who falls, and to take food out of the mouths of the workers and their families. To Charlie Flagg, an honest, decent, and cantankerous rancher, the drought of the early 1950s is a foe that he must fight on his own grounds. Refusing the questionable “help” of federal aid programs, Charlie and his family struggle to make the ranch survive until the time it rains again-if it ever rains again.

The Virginian : a horseman of the plains by Owen Wister

In the untamed West, pioneers came to test their fortunes — and their wills. The Wyoming territory was a harsh, unforgiving land, with its own unwritten code of honor by which men lived and died. Into this rough landscape rides the Virginian, a solitary man whose unbending will is his only guide through life. The Virginian’s unwavering beliefs in right and wrong are soon tested as he tries to prove his love for a woman who cannot accept his sense of justice; at the same time, a betrayal by his most trusted friend forces him to fight against the corruption that rules the land.

True Grit by Charles Portis

Charles Portis has been acclaimed as one of America’s foremost comic writers. True Grit is his most famous novel–first published in 1968–and the basis for the movie of the same name starring John Wayne (for which he won his only Academy Award). It tells the story of Mattie Ross, a fourteen-year-old girl from Dardanelle, Arkansas, who sets out in the winter of eighteen seventy-something to avenge the murder of her father.

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Today’s Quote:

“A man’s character may be learned from the adjectives which he habitually uses in conversation”

– Mark Twain

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Random Thoughts:

Here Is New York by E. B. White

Yesterday, I  reread E. B. White’s essay, Here is New York, his style and simplicity never ceases to amaze me.  The essay was written in 1948 and much of what he writes about the city still rings true today.  

The Los Angeles Times
Part reverie, part lament and part exultation, the essay has long been recommended by Manhattanophiles as the best sketch ever drawn of the place. But since September 11, 2002, several sentences near the end—sentences 55 years old—resound with a prescience so eerie they bear repeating. ‘The city, for the first time in its long history, is destructible,’ White writes. ‘A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sound of jets overhead, in the black headlines of the latest edition.’”

 —Lousiville Courier-Journal
“… a masterpiece of travel writing. This edition contains an introduction by White’s stepson, Roger Angell, himself a longtime New Yorker writer and the author of a number of best-selling books about baseball. After Sept. 11, readers will find this book touching, and prescient, in striking ways. Consider this paragraph: ‘All dwellers in cities must live with the stubborn fact of annihilation; in New York the fact is somewhat more concentrated because of the concentration of the city itself, and because, of all targets, New York has a certain clear priority. In the mind of whatever perverted dreamer might loose the lightning, New York must hold a steady, irresistible charm.’ The charm isn’t just the city. It is also the utterly perfect prose of E.B. White.”

“White epitomized the lucid and penetrating essayistic voice so treasured at the New Yorker, an impeccable style employed to powerful effect in this exquisitely precise contemplation of the New York City of his youth, and, by extrapolation, of humankind at large. Written in 1948, this witty and perceptive praise song to New York is a classic.”
 

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Today’s Quote:

 Attitude…

“The longer I live, the more I realize the impact of attitude on life. Attitude, to me, is more important than facts. It is more important than the past, the education, the money, than circumstances, than failure, than successes, than what other people think or say or do. It is more important than appearance, giftedness or skill. It will make or break a company… a church… a home. The remarkable thing is we have a choice everyday regarding the attitude we will embrace for that day. We cannot change our past… we cannot change the fact that people will act in a certain way. We cannot change the inevitable. The only thing we can do is play on the one string we have, and that is our attitude. I am convinced that life is 10% what happens to me and 90% of how I react to it. And so it is with you… we are in charge of our Attitudes.”

– Charles R. Swindoll

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Random Thoughts:

Life Is All About Choices:

A student recently told me that they had an assignment to write about a decision that they had made that changed their life.  This got me thinking about all the choices we make in our lives, and how one choice tends to lead to another, etc.  In a short story I just completed entitled the Gambler’s Luck, by Bill Gulick, two cowboys grow up together, one becomes a Marshall and the other a desperado.  The story centers on their choices. The story ends with the Marshall shooting his friend the desperado.  With his dying breath he tells his friend…”a man makes his own breaks.  It’s what he’s got inside that counts, not the way the trail forks, nor the coin falls…”

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Random Thoughts:

 The American Western

Over the last several years I have been reading a lot of Westerns.  It all started when I purchased the book, Western Legends by Zane Grey, with the following stories: To the Last Man, The Mysterious Rider, The Lone Star Ranger  — that one book led me to the novels of Louis L’Amour, as well as many other writers.  For many years,  like many other educated people, I pooh-poohed the Western genre, thinking myself far too sophisticated to read books about cowboys.  I soon discovered that these stories are well written and are really great!  They deal with good and evil… with good usually winning out over evil and with good guys who have their flaws but who live by a standard of definite right and wrong.

The Western also teaches us a great deal about the people of the West and how they lived and survived.  I have posted this before but I think it is worth posting again:

One of the best descriptions of the West appears in Louis L’Amour’s, The Sky-Liners:

Flagan Sackett states: “This was an uncomplicated country, as a new country usually is.  Folks had feelings and ideas that were pretty basic, pretty down to earth, and they had no time to worry about themselves or their motives. It was a big, wide empty country and a man couldn’t hide easy.  There were few people, and those few soon came to know about each other.  Folks who have something to hide usually head for big cities, crowded places where they can lose themselves among the many.  In open western country a man stood out too much.

If he was a dangerous man, everybody knew it sooner or later; and if he was a liar or a coward that soon was known and he couldn’t do much of anything.  If he was honest and nervy, it didn’t take long for him to have friends and a reputation for square-dealing; he could step into some big deals with no more capital than his reputation. Everybody banked on the man himself.

Once away from a town, a man rode with a gun at hand.  There were Indians about, some of them always ready to take a scalp, and even the Indians accounted friendly might not be if they found a white man alone and young buck was building a reputation to sing about when he went a courting or stood tall in the tribal council.”

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